Ripple Effect Movement Lab
Dive into the interconnected dynamics of movement, community, and transformation at Dance Place’s Ripple Effect Movement Lab. This immersive intensive explores how individual artistic expression creates waves of impact that extend far beyond the studio walls. This year we are collaborating with BlackLight and The Creative Space for instruction.
In this boundary-pushing laboratory, participants will investigate the threshold where personal movement catalyzes collective change. Through guided explorations, collaborative choreography, and community engagement practices, dancers will discover how their artistic choices generate expanding rings of influence—transforming not only their own bodies but the spaces and communities they inhabit.
The Lab Experience:
- Explore somatic techniques that cultivate awareness of internal thresholds and boundaries
- Experiment with choreographic tools that amplify individual movement into group dynamics
- Develop sustainable approaches to artistic practice that create lasting community impact
Led by a diverse faculty of movement innovators, social practice artists, and community organizers, the Ripple Effect Movement Lab challenges participants to see themselves as agents of change whose creative energy has the power to cross thresholds and initiate transformation in ever-widening circles.
Whether you’re an emerging dancer, established performer, or movement-curious community member, this lab invites you to discover the profound interconnectedness of all movement and the extraordinary potential of your artistic voice to create ripples that reach far beyond what you can see.
The Ripple Effect Movement Lab embodies Dance Place’s Threshold pillars of Consistency, Commitment, Discovery, and Grace —inviting participants to step boldly across the threshold of individual practice into the expansive potential of collective impact.
Price:
Full Access Pass $150
Day Pass $55
Drop In Class $17
Schedule
Class #1
Time:10:00-11:15am
Style: Contemporary Flow
Teacher: Amber Lucia Chabus
Represents: Dance Place
Class #2
Time: 11:30am-12:45pm
Style: Afro-Contemporary
Teacher: Kamali Hill
Represents: The Creative Space
Class #3
Time: 1:00-2:15pm
Style: Repertoire Class
Teacher: Tariq O’Meally
Represents: Dance Place and BlackLight
Class #1
Time:10:00-11:15am
Style: Contemporary
Teacher: Ronya-Lee
Represents: BlackLight
Class #2
Time: 11:30am-12:45pm
Style: Dunham Technique
Teacher: Camille Weanquoi
Represents: The Creative Space
Class #3
Time: 1:00-2:15pm
Style: Repertoire Class
Teacher: Tariq O’Meally
Represents: Dance Place and BlackLight
Class #1
Time:10:00-11:15am
Style: Contemporary Fusion
Teacher: Anastasia Johnson
Represents: Dance Place
Class #2
Time: 11:30am-12:45pm
Style: Hip-Hop
Teacher: Chitra Subramanian
Represents: Dance Place
Class #3
Time: 1:00-2:15pm
Style: Repertoire Class
Teacher: Tariq O’Meally
Represents: Dance Place and BlackLight
2025 Teacher Bios
Amber Lucia Chabus (she/her) is a DC-based movement artist, choreographer, and educator. Amber graduated from the University of Maryland, College Park in 2018 with degrees in Dance and Kinesiology. She has performed professionally with dance companies Heart Stück Bernie, ReVision dance company, darlingdance, J+C Dance Project, Light Switch Dance Theater, and Orange Grove Dance, as well as with independent artists Adriane Fang, Kristen Bolger, and Annika Dodrill. Amber’s work has previously been supported by and presented at Dance Place, Atlas Performing Arts Center, Capitol Hill Arts Workshop, and the Clarice Smith Performing Arts Center. Amber is currently the Artist in Residence at Local Motion Project, and she is also one of Dance Place’s incoming 2025-2027 Double Jump Fellowship Artists.
Kamali Hill is the visionary Creative Artistic Director and Founder of The Creative Space, a dynamic company dedicated to fostering the creative excellence of professional and pre-professional dance artists. Her distinguished body of work has been commissioned and presented by notable institutions such as Dissonance Dance Theater, Deeply Rooted Dance Theater, The Center for Civil and Human Rights, Athens Dance Video Project, and the Denton Black Film Festival. She has also had the honor of collaborating with esteemed artists and collectives, including T. Lang Dance, Okwae A. Miller and Artists, and Otis Sallid.
A passionate educator, Kamali has shared her expertise with organizations and academic institutions, including Texas Woman’s University, Coppin State University, Bowie State University, The University of Southern Mississippi, Baltimore Black Dance Festival, the International Association of Blacks in Dance, and the American College Dance Association. Her teaching extends to leading dance programs at The Dance Institute of Washington, CityDance (Atlanta, GA), Dance Place (Washington, DC), Broadway Dreams Foundation, and Moscow Ballet, among others, shaping the next generation of artists.
Kamali holds an MFA in Dance from Texas Woman’s University and a BFA in Dance and Choreography from Virginia Commonwealth University, grounding her practice in intellect through mastery.
Tariq Darrell O’Meally is an artist, choreographer, and cultural catalyst whose work explores the power of vulnerability within the African-American experience. As Artistic Director of Dance Place DC and creator of the BlackLight Summit, O’Meally uses movement to disrupt canonized narratives and amplify marginalized voices. He has presented work at the Kennedy Center, Smithsonian, and numerous festivals. A passionate educator and curator, O’Meally has received recognition as a Kennedy Center Commission Awardee, Rubys Artist Grantee, and Art Omi Resident Artist. He holds a BFA in Dance & Choreography from Virginia Commonwealth University and continues to create socially relevant, empathetic art throughout the DMV region and beyond.
Ronya-Lee and the Light Factory (RTLF) names my commitment to creating work that illuminates and enlightens, and furthermore, points to the fact that I create in cooperation with many lights, including present collaborators, past ancestors and future witnesses. I am the daughter of Pauline and Roxroy Anderson; the granddaughter of Madge McLellan and of Mavis Lawrence. I spent my formative years moving between school plays, church services and bashment parties, then continued my education, obtaining a Master’s of Divinity from Duke University, an MFA in Dance from Maryland University and am pursuing a doctorate in Performance Studies. My interdisciplinary work has most recently been shown at Atlas Theater, The Lyric Opera House, Triskelion Arts, Arkansas Hall Studio Theater, Duke University Chapel, and Wa Na Wari. Recent awards and commissions include the Pola Nirenska Award for Outstanding Achievement in Dance (2021), See Site National Endowment of the Arts Residency (2023), Kennedy Center REACH Office Hours (2024) and Dance Place Artist Residency (2022-24).
Camille Weanquoi, a freelance interdisciplinary artist from the Bronx, NY, is a force to be reckoned with. Holding a B.A. in Dance from the University of North Carolina at Greensboro, a B.S. in Interdisciplinary Studies from Winston Salem State University, and an MFA in Choreography from Wilson College, she is committed to driving the growth and preservation of dance, particularly those rooted in the African diaspora. Camille is the visionary director of Camille W. Dance, a culturally immersive dance consulting firm and pick-up performance company.
In addition to her role as the founder and Executive Director of the Baltimore Black Dance Collective and co-founder and co-director of the annual Baltimore Black Choreographers Festival, she is an Assistant Professor of Dance at Coppin State University. Currently in training as a candidate for Dunham Technique Teacher Certification, Camille creates, performs, and teaches African Diaspora dances rooted in tradition and culture alongside various other dance styles in the Baltimore/D.C. area and beyond. Beyond her professional accolades, Camille is a devoted wife, mother, sister, friend, and unwavering advocate for the arts.
Anastasia Johnson (she/her) is a dance artist, performer, educator, curator, and choreographer born and raised in Richmond, Virginia., Johnson has performed with companies and artists such as, VT Dance Company, dani tirrell and The Congregation, Rae Luebbert, Juanita Maria Dance Company, Contra-Tiempo, Coyaba Dance Company, Liz Miller, Jamison Curcio& Shanice Mason, ReVision Dance Company, Soka Tribe, and New Growth Collective. Johnson has been developing her own movement based company called A.J. Collabs (AJC). AJC uses the vehicle of education, community engagement, collaboration, performance, and choreography to shed light on the black experience, including but not limited to: black love, black girl magic, black church, black artistry, black joy, and black oppression. Johnson has had the pleasure of being an alumni of the 202Creates Residency Program, a former Emerging Artist for the BlackLight Summit Emerging Artist Laboratory, has been featured in a DanceTeacher Magazine article, and holds a certificate in Women’s Entrepreneurship from Cornell University.
Chitra Subramanian, an Indian American dancer, choreographer, and educator based in Washington, DC, blends Hip Hop and Bharathanatyam to create unique, non-mainstream dance works. She teaches and performs with chitra.MOVES, engaging diverse audiences through storytelling and artistic elevation. Her work, rooted in Hip Hop and influenced by her immigrant background, focuses on community themes and showcases how cultural movements come together. Chitra has taught and choreographed extensively, including creating the sold-out show “TEMPLE” and most recently premiering “LINKED” at the Atlas Theater. She also leads the Rooting the Dance Hip Hop Dance Class Series, emphasizing women’s stories in the DC street dance scene. Her performances have featured at prestigious venues like the John F. Kennedy Center, Kelly Strayhorn Theater, and the Ladies of Hip-Hop Festival.
Class Descriptions
Join Contemporary Flow for full-body centering, a yoga heat-based warm-up, community space circling, across-the-floor relays, and an end-of-class phrase. Drawing from modern dance fundamentals and influenced by contemporary dance training, dancers will find familiarity in movement vocabulary and will be struck by a new engagement of form, structure, and series. This class aims to reach movement artists who want to engage in a class that challenges stamina, relationship to space, directional shifts, and movement quality; all alongside community building through witnessing, giving, and holding space.
Afro Contemporary is a dynamic class that blends traditional African dance styles with contemporary movement techniques, creating a powerful and expressive fusion. Dancers will explore rhythm, grounded movement, fluidity, and storytelling through choreography and improvisation. This class encourages self-expression, musicality, and cultural connection.
O’Meallys facilitated movement practice prioritizes risk & regeneration (R&R) as means to develop new physical tools for new awareness within a physical practice. Designed to challenge and expand the dancers understanding of movement possibilities by oscillating through states of need, desire, and consequence.
Together, we will discover and push beyond the edges of our physical limitations by flowing through constant instances of contracting, folding, and reaching. Letting the body be inspired and shaped by an eclectic mix of house music, gospel, rock, and disco. This movement practice will encourage laughter and uncover all the beautiful possibilities of the body.
Contemporary is a dynamic and expressive movement style that blends elements of modern, jazz, ballet, and improvisation. This class focuses on developing fluidity, versatility, and emotional expression through movement. Dancers will explore floor work, release technique, fall and recovery, and breath-connected movement while building strength, control, and flexibility.
This masterclass explores the powerful intersection of African diasporic movement, modern dance, and cultural storytelling through the Dunham Technique. Grounded in Katherine Dunham’s legacy, participants will engage in polyrhythmic isolations, progressions across the floor, and dynamic center work designed to develop strength, fluidity, and expressive intention. Through movement and discussion, we will examine how Dunham’s technique serves as a bridge between tradition and innovation, fostering both technical excellence and cultural connection. This session is open to dancers of all levels seeking to deepen their understanding of the body as a vessel for history, resistance, and liberation.
Contemporary Fusion is a high-energy class that blends elements of contemporary dance with hip hop, jazz, and house, creating a unique and expressive movement style. Dancers will explore fluidity, musicality, and grounded footwork while building strength, creativity, and versatility.
Indian Classical dance (Bharatanatyam) and Hip Hop culture are the foundation of Chitra’s technique and movement languages, through which she offers a unique, non-mainstream style of movement. Open to all levels and experiences, Chitra’s classes are dynamic, relational, and high energy – offering footwork rhythms, bounces & grooves, and full-body movements that encourage release and an organic connection to the music. Class components typically include an in-depth warm-up with special attention on cultivating expressive energy with the arms, hands, and feet; improvisation and concept explorations; and oftentimes demonstration through choreography. Chitra’s aim is to make class a unique community experience, where she shares and learns from the community to help build, refine, and deepen her artistic process. All levels welcome!